My PRINT MAKING portfolio contains images made with a variety of print making processes.  I am interested in learning about and experimenting with new and various methods including the Japanese litho process called, Mokulito.  Carborundum is another process with which I’m experimenting at The Ballinglen Foundation in Ireland.  Combining photography and printmaking, I’ve also worked with my photographs and created images in the Photo Gravure process and silk screen with encaustic. 

Carborundum, wax encaustic, chine colle’ are  processes  which I’ve learned and developed at The Ballinglen Foundation in Ireland this year.

Lithograph editions of my work were created at The High Point Center for Print Making,  and at LandMark Editions, Minneapolis.  The Minnesota Historical Society owns editions made at Landmark.

“Wild Atlantic Way”, Carborundum, chine colle’, wax, mica, 6″ x 16″, 2023

“Ancient Ghosts Circling Stones”, carborundum, chine colle’, wax, mica, 12″ x 6″, 2023

“Tarred and Feathered: The Troubles, Northern Ireland”, monotype: mixed media, collograph, chine colle’, wax, embossing, 18″ x 14″, 2023

“FOREST WATCHERS”, mokulito on pine , rice paper, 18 x 26, 2018